Did You Know That There's a Tunnel Under Ocean Blvd? is Lana Del Rey's upcoming album, which she also shared the title track from. The follow-up to Blue Banisters is released by Interscope on March 10.
The album's collaborators are listed on the cover art, including Jack Antonoff, Drew Erickson, and Zach Dawes as producers; Jon Batiste, Father John Misty, and Tommy Genesis as guests; Laura Sisk as the engineer; and more.
'Venice Bitch' is a nine-and-a-half-minute odyssey of a song. It's brilliantly weird, refusing to play into structures expected of pop songs or Lana Del Rey. The singer sounds like an artist fully at ease and overflowing with ideas.
Elizabeth Grant has taken us on a confounding journey with her Lana Del Rey alias. She blends pseudo-biography with sad-face grandiosity to enhance her enigma. The title track from her second record, 'Ultraviolence' starts off in the vein of slow-burners like 'Video Games'.
'Loving Lana' is a darkly atmospheric beauty, with semi-ironic lyrics perfectly poised between hipster-hate and hipster-bait. If Arctic Monkeys had written this one, your mates'd be all over it. This single didn't get the fanfare of its 'Ultraviolence' counterparts, but its wispy melodies soar in and out of huge reverb washes.
The cinematic beauty that is "Ride" features a croon by Lana that reads, "Been trying hard not to get into trouble, but I got a war in my mind." Her response? to "simply ride" so she may get some fresh air, feel the breeze on her face, and temporarily forget about her difficulties.
Lana Del Rey has switched things up on her fifth album, 'Lust For Life'. Just as she could be seen smiling on the record's cover, so she was heard singing happily on its lead single, 'Love'. Like an astronaut watching over Earth from space, she narrated scenes of young people gliding through life.
She blends trip-hop, postpunk, dark soul and woozy psychedelia to deliver an effortlessly catchy tune. 'Ultraviolence' single 'West Coast' is a global hit that fucks with chart-pop like Picasso messed with facial features.
Nowhere is Lana Del Rey's self-identification as "Hollywood sadcore" more keenly felt than on this 'Born to Die' anthem. Calling card are sweetly melancholy lyrics shot through with euphoria, sizzling like a snare.
'Shades of Cool' is the kind of stunning 'Ultraviolence' single that just wouldn't have worked on 'Born to Die'. It's not quite as alluring as her very finest stuff, but the change of pace marked a vital evolution for the singer.
In light of her later work, Lana Del Rey's 'Blue Jeans' makes perfect sense. It elegantly wraps passive-aggressive declarations of devotion – "Love you more than those bitches before" – in sumptuous strings and prowling guitar twangs.
It's a credit to Lana's enduring legend that, despite the fact that her botched "Video Games" performance on Saturday Night Live briefly put her career in jeopardy, the gaffe has since been written off as a minor setback.
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